Propellerhead Reason - 4.0 Provozní příručka stáhnout pdf (Strana 280)

NN-XT SAMPLER

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LFO 1 Amt

This determines how much the amount of modulation from LFO 1 is affected by the

Modulation wheel and/or the External Controller wheel. It does this by “scaling” the

amounts set with the three destination knobs in the LFO 1 section (Pitch, Filter and

Level, see page 282). We’ll explain this with an example:

To use the Modulation Wheel to increase pitch modulation (vibrato), proceed as fol-

lows:

1. Turn the Mod Wheel all the way down, so that no modulation is applied.

2. Activate the “W” button for LFO 1 Amt in the Modulation section.

3. Set the corresponding knob to “12 o’clock” (zero).

4. Set up LFO 1 so that as much vibrato is applied as you want it to be when the

Modulation wheel is turned all the way up.

5. Increase LFO 1 Amt until you hear as much vibrato as you want it to be when

the wheel is turned all the way down.

If you turn LFO 1 Amt all the way up, there will be no vibrato at all when the wheel

is all the way down.

To instead use the Modulation wheel to decrease vibrato, process as follows:

1. Turn the Mod Wheel all the way down, so that no modulation is applied.

2. Activate the “W” button for LFO 1 Amt in the Modulation section.

3. Set the corresponding knob to “12 o’clock” (zero).

4. Set up LFO 1 so that as much vibrato is applied as you want it to be when the

Modulation wheel is turned all the way down.

5. Turn the Modulation wheel all the way up.

6. Decrease LFO 1 Amt until you hear as much vibrato as you want it to be

when the wheel is turned all the way up.

If you turn LFO 1 Amt all the way down, there will be no vibrato at all when the

wheel is all the way up.

F.Res

This sets modulation control of the Resonance parameter in the Filter (see page 279).

Level

This sets the amount of amplitude envelope modulation of each zone’s level. The level

set here will be the level of the highest point of the Amp Envelope.

LFO 1 Rate

This sets modulation control of the Rate parameter in LFO 1 (see page 282).

The Velocity controls

Velocity is used for controlling various parameters according to how hard or soft you

play notes on your keyboard. A typical use of velocity control is to make sounds

brighter and louder if you strike a key harder. By using the knobs in this section, you

can control if and how much the various parameters will be affected by velocity.

Just like the modulation controls, all of the velocity control knobs are bi-polar, and can

be set to both positive and negative values.

• Setting them to positive values means that the value of the controlled parameter

will be raised the harder you play.

• Setting them to negative values means that the value will be lowered the harder

you play.

• Keeping the knobs in the center position means that no velocity control is applied.

The following parameters can be velocity controlled:

F.Freq

This sets velocity control of the Filter’s cutoff frequency (see page 279).

Mod Dec

This sets velocity control of the Decay parameter in the Modulation Envelope (see

page 280).

Level

This sets velocity control of the Amp Envelope.

Amp Env Attack

This sets velocity control of the Attack parameter in the Amplitude Envelope (see

page 281).

S. Start

This sets velocity control of the Sample Start parameter (see page 275), so that it will

be offset forwards or backwards, according to how hard or soft you play.

This allows you to control how much of the attack portion of the sample you hear

when playing harder or softer.

To be able to make use of negative values for this parameter, you must increase the

sample parameter Sample Start.

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