Propellerhead Reason - 1.0.1 Provozní příručka Strana 108
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Hodnocené. / 5. Na základě hodnocení zákazníků
SUBTRACTOR SYNTHESIZER
106
The Filter Section
In subtractive synthesis, a filter is the most important tool for shaping the overall timbre of the sound. The filter section in Subtractor contains two filters, the first
being a multimode filter with five filter types, and the second being a low-pass filter. The combination of a multimode filter and a lowpass filter can be used to
create very complex filter effects.
Filter 1 Type
With this multi-selector you can set Filter 1 to operate as one of five different types of filter. The five types are illustrated and explained on the following pages:
➜ 24 dB Lowpass (LP 24)
Lowpass filters lets low frequencies pass and cuts out the high frequencies. This filter type has a fairly steep roll-off curve (24dB/Octave). Many classic syn-
thesizers (Minimoog/Prophet 5 etc.) use this filter type.
The darker curve illustrates the roll-off curve of the 24dB Lowpass Filter. The lighter curve in the middle represents the filter characteristic when the Resonance parameter is
raised.
- Operation Manual 1
- TABLE OF CONTENTS 3
- Recording 8
- Recording Pattern Changes 10
- THE SEQUENCER 11
- Copying REX loops and 12
- Patterns to Sequencer 12
- Editing - About Snap 14
- Editing in the Arrange 15
- Inserting and Removing Bars 17
- Using Groups 18
- Selecting Groups 19
- Resizing Groups 19
- Dividing Groups 20
- Combining Groups 20
- Find Identical Groups 20
- Ungrouping 20
- Editing with Groups 20
- The Edit View 21
- Drawing and Editing Notes 22
- Drawing notes 23
- Selecting notes 23
- Moving notes 23
- Duplicating notes 23
- Using Cut, Copy and Paste 23
- Resizing notes 24
- About resizing drum notes 24
- Deleting notes 24
- Editing velocity 24
- Editing Controllers 25
- Selecting Pattern Changes 28
- Clearing Automation 29
- Quantizing 30
- The Change Events 31
- Importing and Exporting 33
- MIDI Files 33
- ROUTING AUDIO AND CV 35
- About the various signals 36
- About Cables 36
- Automatic Routing 37
- Manual Routing 38
- Using CV and Gate 39
- ROUTING MIDI TO REASON 41
- About the Various MIDI 42
- Sending MIDI Data to 43
- Controlling Devices 45
- Recording Pattern changes 46
- About this Chapter 48
- Why use Reason with 48
- Introducing ReWire! 48
- Preparations for Using 49
- ReWire - Macintosh only 49
- Launching and Quitting 49
- Steinberg Cubase VST 50
- Cubase VST 51
- Emagic Logic Audio 52
- Mark of the Unicorn 53
- Digital Performer 53
- Basic Transport Controls 54
- Loop Settings 54
- Tempo Settings 54
- MIDI Remote Mapping 56
- Example MIDI Setups 57
- Enabling MIDI Remote 57
- Editing MIDI Remote Mapping 58
- Keyboard Remote 59
- Saving Remote Setups 60
- SYNCHRONIZATION 61
- Master/Slave 62
- Slaving Reason to 63
- Another Program on the 63
- Same Computer 63
- MacOS: Slaving Reason 64
- Synchronization 65
- Considerations 65
- About Tempo Changes 66
- OPTIMIZING PERFORMANCE 67
- Optimization and Output 68
- Optimizing Your 69
- Computer System 69
- Optimizing Songs 69
- Songs and Memory 71
- Requirements 71
- TRANSPORT PANEL 73
- Overview 74
- MIDI Sync and Focus 76
- Automation Override 76
- Audio Out Clipping Indicator 76
- CPU Meter 77
- REASON HARDWARE INTERFACE 79
- MIDI In Device 80
- Audio Out 81
- THE MIXER 83
- The Channel Strip 84
- Channel Strip Controls: 85
- The Mixer Signal Flow 86
- The Auxiliary Return 86
- The Master Fader 86
- Chaining Mixers 88
- Using Patches 91
- Step Dynamics 93
- Redrum Parameters 95
- Level and Velocity 96
- Global Settings 97
- Using Redrum as a Sound 98
- SUBTRACTOR SYNTHESIZER 101
- Introduction 102
- The Oscillator Section 102
- Semitone/Cent 104
- Oscillator Keyboard Tracking 104
- Using Oscillator 2 104
- Oscillator 2 Waveform 104
- Noise Generator 105
- Phase Offset Modulation 105
- Frequency Modulation (FM) 106
- Ring Modulation 107
- The Filter Section 108
- Filter 1 Frequency 111
- Resonance 111
- Filter Keyboard Track (Kbd) 111
- Filter 2 111
- Envelopes - General 112
- Filter Envelope 113
- Mod Envelope 113
- LFO Section 114
- LFO 2 Parameters 115
- Play Parameters 116
- Pitch Bend Range 117
- Modulation Wheel 117
- External Modulation 118
- Connections 119
- NN-19 DIGITAL SAMPLER 121
- General Sampling 122
- Principles 122
- About Audio File Formats 123
- About Key Zones and 124
- Setting the Key Zone Range 125
- Deleting a Key Zone 125
- Adding Sample(s) to a Key Map 125
- Automap Samples 127
- NN-19 Synth Parameters 128
- Envelope Section 130
- DR. REX LOOP PLAYER 135
- About File Formats 136
- Adding a Loop 137
- Creating Sequencer 138
- Slice Handling 139
- Dr.Rex Synth Parameters 140
- Velocity Control 143
- Audio Quality Settings 144
- MATRIX PATTERN SEQUENCER 147
- Programming Patterns 149
- Using Curve Patterns 150
- Setting Pattern Length 151
- Using Tied Notes 151
- Setting Pattern Resolution 152
- Pattern Shuffle 152
- Pattern Mute 152
- Pattern Functions 152
- Chaining Patterns 153
- Example Usage 154
- Triggering Samples 155
- REBIRTH INPUT MACHINE 157
- Preparations 158
- THE EFFECT DEVICES 159
- Common Device Features 160
- RV-7 Digital Reverb 161
- DDL-1 Digital Delay Line 162
- D-11 Foldback Distortion 163
- ECF-42 Envelope 163
- Controlled Filter 163
- The Filter Parameters 164
- The Envelope Parameters 164
- CV/Gate Inputs 164
- CF-101 Chorus/Flanger 166
- PH-90 Phaser 167
- COMP-01 Auto Make-up 168
- Gain Compressor 168
- PEQ-2 Two Band 169
- Parametric EQ 169
- MENU AND DIALOG REFERENCE 171
- File Menu 172
- Song Information 173
- Publish Song 173
- Song Self-contain Settings 174
- Import MIDI File 175
- Export MIDI File 175
- Export Device Patch 175
- Export REX as MIDI File 176
- Edit Menu 177
- Initialize Patch 178
- Select All 178
- Browse Device Patches 178
- Browse ReCycle/REX Files 178
- Browse Samples 179
- Redrum notes 182
- Matrix notes 182
- Quantize Notes 183
- Change Events 183
- Velocity 184
- Scale Tempo 184
- Alter Notes 184
- Preferences – General 185
- Preferences – Audio 186
- Output Latency 187
- Latency Compensation 187
- Preferences – MIDI 188
- Preferences – Sound Locations 189
- Create Menu 190
- Options Menu 190
- Edit Keyboard Remote 191
- Clear All Keyboard Remote 191
- Enable MIDI Remote Mapping 191
- Edit MIDI Remote Mapping 191
- Windows Menu 192
- (Windows Version) 192
- Windows Menu (MacOS 193
- Version) 193
- Help/Contacts Menu 193
- Register Reason Now 194
- About Reason (Windows only) 194
- ABOUT AUDIO ON COMPUTERS 195
- General Information 196
- PC Specific Information 197
- Macintosh Specific 198
- Information 198
- MIDI IMPLEMENTATION 199
- About This Chapter 200
- How various MIDI 200
- Implemented 200
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